Mother Run: Tabi Falcone of Annabelle Beet Designs

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    Tabi Falcone of Annabelle Beet Designs is a woman who wears many hats.  From her day job as a technical apparel designer, to her creative small business, to being a biological and foster mother--her days and her heart are full.  

    By day her occupation as a technical apparel designer keeps her busy.  “The easiest way to describe my occupation is that I write the blueprints for clothes,” she explains.  “I work directly with the creative design team and turn their vision into specifications (the measurements of the garments, construction, etc) and then work with the vendors to turn it into an actual garment that can be sold in stores.  The biggest thing (and what makes this a very specialized field) is I am in charge of the fit of the garment.  If you buy a pair of pants that fit really well, you have a technical designer to thank!  My education is in Fashion Design, and I sewed professionally for years at a bridal shop as well as freelance corsetry.  This past month I was also promoted to senior technical design so I have responsibility over a large popular brand and have three people reporting to me--no pressure or anything!”

    Her degree even led to the beginning of her new small business, which she started in November 2017.  “I have a background in painting through my college education and I’ve been consistently painting with my kids for years,” she says.  “I started experimenting with watercolors about a year and a half ago and have absolutely fallen in love with them. I started off with the food pun paintings as an extension of a separate business I briefly stepped into with a partner.  This business (reusable bags) was short lived and I learned that for my creative side I work best on my own for the core part of my business. After a small break I was feeling that ‘small biz’ tug again and decided to just put aside my fears and jump in to selling the part of that previous business that did the best - my paintings.”  Her decision to start selling her paintings is likely relatable to many handmade artists—“Honestly I made more paintings of food puns than my husband wanted hung in our house!,” she says. “He told me to either start selling or stop making, and stopping making was definitely not an option. I knew I would have limited time/energy as a full time working ‘mom of many’ and wouldn’t be able to do enough craft shows to satisfy me, so I decided to list my shop on Etsy.”

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    The third element of Tabi’s story is her family.  “My kids were (and still are) 5 and 7 when I started my small business,” she says.  “To them the only thing that has really changed is that every once in a while I pop out of the house for the day to sell at a craft show.  We have always been an artistic family and paint a lot together, and I do a lot of my business painting after hours as well. My kids are still young so they have a 7:30 and 8:00 bedtime which gives me two hours free every night before it’s time for me to go to bed.  Liam is 7 (and a half he reminds me) and is a cyclone of energy. The only time he stops moving is when he’s reading; we have read-a-thons every night before bed as our cuddle time. Going to the library is one of his favorite rewards and he will sit and read easily for 2 hours straight.  When he’s not reading he’s building forts or literally running around in circles. Maxwell is 5, and is a precocious little one with a surprising vocabulary. Some of his favorite words are ‘consequence’ and ‘difficult,’ which always surprises newcomers to the house.”

    In addition to her two biological children, Tabi and her husband are also foster parents.   “It’s an extremely detailed, invasive and long process,” says Tabi. “We were required to take a long class (30 hours) to learn trauma based parenting, invasive questions (including about our sex life - no lie), our friends/family were interviewed, our home was studied 4 times, we needed a fire inspection, medical reports on all members of the family living in the home, comprehensive background checks, income information, details on how much money we spend monthly on our bills, CPR certification and honestly probably more that I’m not remembering.  Between my work schedule (I travel internationally twice a year and to NYC in between), the two birth children we already have, and my husbands school schedule it took us a total of 10 months to receive our license.” That long process to become foster parents was well worth it. “The actual day to day of fostering is the most rewarding and heartbreaking thing we have done as parents,” she says. “We’ve said goodbye to children we parented for over 5 months knowing that we may never see them again, and we are preparing to say goodbye to a baby we have had for almost half of her life.  We’ve seen our children grow in empathy and we have celebrated and grieved with them. At the end of the day, it is something that has become ingrained in the fabric of our family, as much as it can suck sometimes.”

    With everything Tabi and her family has going on, finding time to devote to her growing business has been a bit of a struggle. “Finding time for everything that I need to do, and accepting that I can’t do everything that I want to do has been the biggest challenge,” she says. “I use a day planner and that has helped me a LOT, when I can remember to keep up with it. It has a page a day so I can break it down to realistic time slots of what I can actually get done in a day.”

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    That limited time hasn’t stopped her from getting her art out into the world and accomplishing her business goals (which is fitting as she says one of her favorite pieces is “purple to yellow ombre with the saying ‘slay your own dragons’ on it!”). She already has a couple craft shows under her belt and even though her fair days didn’t get off to a great start she didn’t let that get to her for long. “That [first] show actually did not go well and I left very discouraged,” she recalls. “It was a smaller show which had not been done before and it ended up POURING all day. I made about $10 more than what I paid for the slot and was questioning my dedication afterwards. I just did my second show, though, which was a larger show with beautiful weather and I ended up making four times my vendor fee and had an AMAZING response from the community. There will be some collaborations coming out of connections I made and I’m feeling really positive about the direction my shop is going in.”

    One of her goals for the year was to have her art in two local shops. It’s only June and she is already well on her way to surpassing that. She recently got her first wholesale order from a local business owner and has her art displayed in a local gallery.  “The gallery came about organically when my husband and I were on a date night at our local gallery hop,” she explains. “I talked to the woman working at the gallery for our local DADA (Downtown Arts District Association) and mentioned I was interested in joining. I showed her some pictures of my work and it turned out they had some spots opening up!  Within three weeks I was setting up my space there! With the shop I had been following them since they opened this year and based on their IG I felt my art would be a really good fit. They happened to be around the corner from a space I was attending a ‘Creatives and Cupcakes’ event at so I swung by to say hi and introduce myself. We set up a meeting and I frantically threw together a wholesale linesheet the day before to try to look professional. It apparently worked because the owner loved it and put in an order on the spot!  It’s so amazing to know that my work’s in an actual store. Somehow it makes it so much more real than selling on Etsy. I feel like it took me to a different level and it actually inspired me to create my own website! I took a quick break while I was travelling internationally for my day job, but now that I’m back I’m going to start reaching out to more retailers and try to expand my reach.” In addition that those goals that she is already smashing, her business future has one more major one in it. “My full blown bucket list is to open a gallery/studio space that is part art gallery/shop and part adult/children’s art studio,” she says. “Similar to the ‘wine and paint’ studios but with splatter painting and REALLY messy types of art like that.”

    A lot of small business owners have a hard time finding support from those around them who may not understand what goes into starting and running your own business.  Tabi is one of the lucky people to not have this problem. “This part is awesome,” she says. “I surround myself with really supportive people. My husband is absolutely my biggest supporter--he built my displays and helps me find time to focus on my art; as well as puts up me turning our dining room into my studio.  I have a very tight knit group of friends, many of whom are makers as well and have side hustles; we all build each other up constantly.”

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    With all that she has going on, Tabi isn’t slowing down and has some sage advice for other mothers looking to do the same.  “DON’T GIVE UP,” she stresses. “Seriously, do not give up on yourself. Change the plan, change the path, change the process, but never change the goal.  You absolutely can do it, even if it’s not in the way you originally envisioned. Find your tribe and lean on them. I could not be doing what I’m doing without having my friends and family to build me back up and be my sounding board when things aren’t doing what I want them to do.”

Connect with Tabi:

On the web

On Instagram

On Facebook

On Etsy

Thank you so much for reading along!

 

Yours in business + motherhood,

Brittany

 

Mother Run: Jay Bloodsworth

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    Straight out of high school, Jay Bloodsworth dove right into entrepreneurship.  While working on her acting degree, she opened CR Productions, a theater production company, at 19 years old. “I had gotten frustrated with seeing such a limited range of shows being presented, nothing I was interested in or felt passionate about,” she says.  “So I decided to do it myself! Produce the kind of shows that meant a lot to me, had the messages I wanted to convey. I got a lot of flack for it. Plenty of people trying to convince me that it would never work because we weren’t ‘already famous.’  Which didn’t make sense to me, because wasn’t that the point? To GET famous BY making art, instead of waiting for it to fall in your lap?”

    Being fresh out of high school, Jay didn’t do much planning before jumping into her business.  “At 19 I wasn’t the greatest at reigning in my excitement and was easily disappointed when things went wrong,” she explains.  “Nowadays I still fly by the seat of my pants a fair bit, but I’m much more resilient and love a good list (or twenty). Having a baby as well means learning to be ok with not achieving as much some days.  I’ve become much more realistic about my goals.”

    While she may not have done a lot of planning before entering the world of entrepreneurship, creating has always been a part of her life.  At age 12 she says she “even started a ‘business’ selling plasticine models to my friends.” She goes on to explain that “around about the same time, my school did an off brand version of My Fair Lady.  I hated it! Cried and begged and pleaded to be left out of it. I insisted on being behind the scenes (or camera), as I wanted to be a photographer at the time. It was compulsory. I didn’t enjoy it, mostly found it stressful.  But when I hit high school I made friends with a girl who was an incredible performer. Her comic timing was impeccable. Drama was compulsory for year 8’s and the teacher picked up on our little duo. My first time actually wanting to be on stage was for a rendition of Little Women.  I was Meg and my friend was Jo. From then on I had the bug! The rush of being backstage, the stress of forgetting absolutely everything right before you went on. The adrenaline and relief once you came off. I have yet to find a high like it.”

    CR Productions has produced plays, street theatre, and musicals.  So what exactly does producing entail? As Jay explains, “The Producer beings the money and gathers the key creatives to make the show happen.  The Director brings the action and scaffolding. The Writer brings the heart. The Actors bring the hard part! (Kidding!) And the Back Stage crew glues it all together and makes sure it doesn’t fall apart.  As I make smaller scale shows, I tend to do a little bit of everything.” Her favorite type of production? “Definitely the plays,” she says. “I love seeing actors nail moments we’ve worked hard on it rehearsal, especially high pressure scenes.  Creating a believable tension build when you’ve done it a million times is difficult. Seeing it come to life just fills me with validation and pride. I feel like I’m their stage Mum!”

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    In March 2017, Jay made a transition from not just being a stage mum, but being a mum to a newborn son as well.  With new motherhood came some changes to her personal life and work balance. “I was forced to stop running last minute to the train, that’s for sure!” she says.  “I feel like I’ve become more prepared for any eventuality, more confident, more resilient, and my time management is better. There’s a whole new level of patience and understanding that I’m really enjoying unpacking.”  Luckily for Jay, her work environment was one she could take her son into with her, though it took some adjustment. So far her balance has come “with great difficulty,” she says. “I usually try to muscle in as much time as I can while he sleeps.  A lot of the grunt work for shows is via internet so sometimes I can sneak in an email or two while he’s playing. I try not to do that too much though because I don’t want to miss anything. I found it very hard at first, to claim my right to take up space as a working mother.  I was very afraid of what other people would think. That someone would comment on my breastfeeding or wearing him or having my mum there looking after him instead of me being at home because he was so young. It played on me constantly. I was lucky to have that time where no one said anything, because I was able to convince myself I DID deserve to be there.  When I did my first show after he was born, he came to every rehearsal. That probably won’t change much as I move forward. If he sqwuarked, he sqwuarked, and I held him. If he needed milk, I fed him. If an actor has an issue with it, they’re probably not resilient enough to make it in the industry. Thankfully, everyone I’ve worked with so far has been wonderful and supportive.”

    Even with a supportive work environment, adjusting to motherhood while running a business always presents challenges of some kind.  For Jay, that has been overcoming the preconceived notions of others. She explains that her biggest challenge was “working through other people’s doubt and not holding myself to their expectations.  I know my limits and they are far past most peoples. For example, my son was born in a planned no-med home birth. We didn’t tell anyone because I was afraid they would rain on our parade. Everyone was very supportive when they found out but I’m glad we kept it close to the chest.  I’ve brought that same mentality into my business. Waiting a little longer before revealing and I make it more of a statement than a question of permission about bringing the baby with me. If they aren’t willing to make space for us (if I’m working outside my company) it probably isn’t the project for me.”  In addition, she also struggled a bit with with people’s opinions of her being a working mother. “My mother was mortified when I announced I was taking my 7 week old to auditions,” she says. “It’s taken a lot of open communication and being understanding that other people’s opinions often reflect more about them than you, even when they mean well.  I aim to educate people about the importance of making space for mothers in the Arts, especially when they’re breastfeeding. It’s not hard, but it’s a very male dominated industry and people fear the unknown. Most of the time they just aren’t sure of the right questions to ask to help so it’s easier to say no, or ‘we don’t have the resources to support you.’  I have my ‘Why Am I Doing This/No One Believes In Me, What’s The Point’ moments. The difference now is that they’ve happened enough for me to know they pass.”

    Now, five years after starting CR Productions, Jay is starting to make some changes and is giving a bigger focus to her own personal work instead of the company’s.  “CR has always represented my teenage need to prove myself,” she explains. “Having a brand seemed important at the time, especially when a lot of what I was hearing from people was that no one would want to see MY art.  People seemed to put more trust in a well fronted group than one person. I wanted to peel back the layers and show the people coming to our shows that there’s a real person behind the curtain. I feel an honesty and vulnerability there that will give my art a deeper impact.  Now I’m a mum and I have big shoes to fill. I want to build a legacy that my son can be proud of, free from fear of judgement. I want him to look at me and tell his friends ‘my mum works hard and gets what she wants.’”

   She recently started a Patreon as a way to connect with, and gain support from, her audience as she delves into her personal work.  For those unfamiliar, Patreon is a membership platform where an artists’ fans can support their creative work financially in exchange for early access to finished work, behind the scenes bonuses, frequent updates, bonus material, and more.  The idea stems from the centuries old practice of wealthy patrons sponsoring the work of creatives so that they could then enjoy the work that was made. WIthout this practice, the world would be devoid of a lot of amazing work. As she works towards her goal of growing her art to a livable wage to give her flexibility and freedom to spend time with her family, she also is knee deep in school.  “I have basically been a forever student,” says Jay. “I took some time off in 2015/2016 to work a day job and work on shows, so this Diploma of Specialist Makeup Services will be my first that I finish since my acting degree in 2013. I wanted to do SPFX right out of high school (instead of acting) but I couldn’t afford it. As much as I enjoy writing, academic writing drives me up the wall!”

    With so much going on between growing her new brand, being a student, and being a new mom, sometimes days are challenging.  So what keeps her sane when things get crazy? “It sounds very cliche,” she says, “but reminding myself that Jude won’t be tiny forever.  It helps me take a deep breath and enjoy the moments when he’s messing about or taking a long time to nurse, even though I’m dying for him to sleep so I can get things done.  That, and cooking. It feels productive and there’s food at the end.”

    With five years of business experience and a year of motherhood under her belt, Jay leaves us with some great advice for all moms.  “Don’t let anyone but you tell you what you’re capable of,” she says. “Listen to your gut and SLOW DOWN when you need to. I had a really bad case of mastitis recently.  Even though I struggled to do nothing while I got better, I know that in the long run it was the right choice for myself, my family, and my business.”

 

Connect with Jay:

On Instagram

On Patreon

On Facebook

 

Thanks for reading!

Yours in business and motherhood,

Brittany